Our apartment management company recently asked us for a lease renewal fairly early this year (due by February for a May 1 lease). While we didn't have any problems with renewing... given the early nature of the request, we decided to just go out and see what else was available.

We called one apartment and got a tour of the place. It turned out to be a bit smaller than we liked, and so we thanked the woman for her time and were about to call it a night. The landlady then mentions another property she's got, slightly bigger, but it was still being worked on (and wouldn't be available until April).

Liz and I agreed to go take a look, and next thing I know... we're at the building where Gretchen and Rob live. As we were walking up to the apartment, I remembered calling the landlady (Paddy) something like 3+ years ago, when we were first looking for a place (specifically a place within this building). Exciting stuff.

The prior tenant had been here a long time (many, many years), and so they were doing a lot of work on the place. We went by over the weekend to officially sign the lease, and I snapped a few photos of the place. I'm looking forward to doing some kind of before/after shots, maybe after we move in, in April.


Fireplace, along with lots of other construction stuff. The color of the fireplace will change.


Corner view of the living room. The front door/hallway is to the right.


View from the living room, looking in to the dining room. As you can see, still a bit of work being done on the place.


This is, I can only hope, a temporary location for the toilet.


Although I have to say... that's a pretty sweet view, if we decide to keep the toilet here.


In the small sun room, looking out on to Logan and California Sacramento.


The temporary lighting in the bathroom.


The bathtub and... I'm not sure what that is. A router?


Looking at the large mirror in the front hallway. Directly behind me is the bathroom, and if you walk forward a bit and turn right, you'll see the front door.


This guy. Until I looked at the front door, I didn't realize just how high the ceilings were here.


A look down the hallway connecting the front entry area to the kitchen. We have a nice built-in little shelf area.


Closer view of the kitchen. Imagine a lot of shelves and a stove here.


The back (shared) porch, along with an alley leading out to the street. Ben, Chris and Justin - this is where you guys will be coming in with all the large furniture and boxes.

I kid, I kid. We're totally using movers again.


Looking in to the living room and dining room.


The dining room table (for now).


Looking back in to the living room, and a shot of the woodwork.


Signs of life.


We happened to find this pretty awesome doorstop.

That's the brief tour! The move, though it's about two months away, feels like it's right around the corner. I'm looking forward to seeing what this place will look like, once all the construction is done. As a nice bonus, Paddy agreed to let us choose some colors for the rooms, so long as we got her the paint chips.

So the countdown begins. Anyone out there... uh, have a few extra cardboard boxes?

7 Comments | February 8, 2010

On the way to work Friday morning, I happend by a sign in the door of a building. This was one of those full-glass doors, with a solid black bar across the middle. It was the entryway to a residential set of apartments, and opened to a narrow corridory, with some stairs up.

Usually, signs are posted in doors or windows facing outward. But as I walked by, it took me a few steps before it registered that the sign was actually not intended for public consumption. I saw the sign, but realized later that it was actually just the marker bleeding through the page - the sign was meant for the tenants in the building.


So, I took my camera out and snapped this shot: a sign on the door that was intended for the people on the other side of the door.

If it's too hard to read, I went ahead and darkened the image more, and flipped it around here.

Add a Comment | February 7, 2010


At the end of the work day last week, I was hanging out in Ben's office for a bit. Looking out the window, we spotted a rather odd and powerful beam of light, coming from the Harold Washington Library.

One theory we kicked around was there possibly being some kind of ad, projected onto the wall of the building across the way. But there wasn't a lot of flickering, just a solid, steady beam of light.


About 6 or 7 minutes later, on the ground at State and Jackson. No light anywhere, and it seemed to end as abruptly as it started.

No clue what that was all about. Anyone have any idea what this light might have been from?

Related:
Chuck Palahniuk Reading, Harold Washington Library

1 Comment | February 6, 2010

On my way in to work yesterday, I was walking up Jackson and spotted the Puppet Bike parked on the corner of Jackson and Wabash. At the time, there were a few people lingering around.

I've seen the Puppet Bike a few times in the area, but for whatever reason never got around to taking some photos for the blog. I was in a hurry to get to the office, and initially just walked on past the show.

But I got this sensation (which I've had in the past) that I should really slow myself down a bit. That work could wait and that I needed to go back. And I'm really glad I did.

In fact, writing this now... I'm really glad I have this blog. Normally, I would have just put my head down, and continued on in to the office. But the blog serves as a good excuse for me, a good way to ensure that I note and record the things that I might otherwise dismiss or simply take for granted.

After heading back to watch more of the show, in a matter of moments I ended up feeling like a kid again. And on a dreary Thursday morning, it was a surprise to find myself on a street corner, experiencing a kind of child-like wonder that I haven't had in quite some time.


Two (of many) puppets, dancing to the music.


A view of the full stage.

I took this photo a few moments before dropping in a dollar. The box in the center has a hole at the top. And if you drop money in, there's an access area where the puppeteer can get to the donations.

Shortly after I put my dollar in, the two puppets grabbed it and started dancing around with it (which was awesome). As a sign of gratitude, at the end of the routine the puppets did a little bow. They waved to me.


Closeup of my one dollar, and two happy puppets.


Side view of the Puppet Bike.


Choreographed cats.


As I was packing up, a few more people gathered to watch. The times I've seen the Puppet Bike around, I've seen a good mixture of crowds gathered (they seem to ebb and flow). There was a whole other bit of delight, watching the crowd watch the show. I was definitely reminded of the Postcard Machine, from the Renegade Craft Fair a few years back.

In doing a bit of research after the fact, I found out that the Puppet Bike was built by brothers Jason and Eric Trusty. In addition to Jason, there are also a lot of other artist who use the bike to perform in shifts. Here's an excerpt from a Time Out Chicago article on the bike:

"One of the greatest things about the Puppet Bike is how it disarms so many people from so many different places in life," says inventor and artist Jason Trusty, who will celebrate four years of peddling (and pedaling) glee on Saturday 25. "First it makes them laugh, then makes them dance and sing, and then later on it makes them think." Think - or at least forget what they were worrying about moments before.

In watching the puppeteer interact with the people crowded around the bike, I was fascinated with how the puppets could influence the crowd's reactons. By using nothing more than his hands, the puppeteer could cause a ripple of laughter. A slight flick of the wrist or tilt of the palm could incite a round of applause.

It was surprising to see how much pleasure can be derived, simply from one person waving to another.

Related:
The Postcard Machine, Renegade Craft Fair
A Man and His Tiger, Jackson Blue Line Stop

Add a Comment | February 5, 2010


Record Tripping
is a beautiful, whimsical game that centers around the use of your mouse wheel. There are no keyboard buttons to press, no key combos to remember. You can play the whole game just using your mouse (so long as you've got a scroller/wheel).

Created by Bell Brothers, this game is as fun to play as it is to look at. As you progress through the levels, despite the presence of a timer... there's this calming feel to the whole thing. The audio in the background (of a woman reading, over a bed of various music tracks) is superbly done.

From the instructional tutorial to the closing score summary (and Twitter-link), this is one really well designed game.

[via MetaFilter]

Add a Comment | February 4, 2010

Luke Fishbeck (also known as Lucky Dragons) does some amazing stuff with electronics, music and the variable of skin contact. Make sure to stick with the video for about a minute, as the really magical moment happens at 2:14.

'Make A Baby' is the generic term for an ongoing series of experiments into the possibilities of using skin contact between performers as a means of transmitting and controlling data and creating a positive social environment.

Seeing work like this really makes me want to learn more about Arduino. Just watching some of the participants in the video, I'd be laughing and smiling from ear to ear, nonstop, if I got to play with any of these experiments. What a great concept.

If you liked the project above, make sure to check out his rug with circuit applique.

[via BoingBoing]

Add a Comment | February 3, 2010


I'm a big fan of Sam Javanrouh, who runs a photo blog called Daily Dose of Imagery. He recently posted up a series of photos where he also shared his thoughts/experiences shooting people he didn't know.

I get asked all the time; how do you go about shooting people? As you might have already noticed I don't have many shots with people as main subjects but here are a few thoughts from my experience shooting people on the street. Every case is different. Shooting on the street is an adventure and you just have to experience it and see what happens. You have to be ready for anything, and be very aware of where you are.

If you'd like to lose a little time, swing by the archives and just browse around. Great, great stuff on this site.

[via Cbab]

Add a Comment | February 2, 2010


I purchased Uncharted 2: Among Thieves for the PS3 over the weekend, and holy crap - this game is pretty jaw-droppingly awesome. I've only played for a few hours, but I'm excited enough by it to post a quick review. This game makes me happy I got a PS3.

I was a little hesitant before picking up the game. I had heard of the original (Uncharted: Drake's Fortune), but never knew too much about it. I thought it was mostly a Prince of Persia climbing type of game, and largely ignored it. In looking back, I think I was way off base.

I was worried about picking up a sequel without knowing any of the characters or plotlines from the first, but so far it's been no problem at all. This game seems pretty self-contained (though my understanding is that a lot of the characters from the first, are also in this one).

Overall, the story is more akin to something like Indiana Jones. There's a bit of a treasure quest, and the search for a lost city, rare artifacts, and an ever-changing backdrop in terms of locations. This game, in my opinion, is as much about story and cinematics as it is about buttons and trophies.

The game opens with the main character, waking up on board a train. From there, the first 5 minutes of game play are pretty spectacular and action-packed.

For a lot of games, there is a distinct difference between the game play and the fancy shmancy game trailer that gets released at E3. This game though? I think the shift between cinematic trailer and game play is very subtle, and actually makes the whole game feel like an actual movie.

Adding to the great visuals, the camera angles that accompany the game do a good job of blurring the boundaries between game and movie. Something as basic as the main character walking down a corridor ends up actually looking pretty slick, with the proper angles.

Similar to a game like Assassin's Creed, the character movement (all the jumping and ledge dangling) seems fluid and natural. There's no button mashing, as the travel from point A to point B just feels really smooth.


The whole game itself comes off as Hollywood slick. I haven't gotten a chance to really get to know the characters, but so far there have been some pretty interesting and funny dialogue (better than your average game).

One example: You're hanging off a rooftop ledge, and an enemy guard is walking close by. Your partner, Harry Flynn, whispers to you via radio: "There's a guy above you, there's a guy above you." When the guard gets right near you, you reach up, grab him, and pull him over the edge. As the guard is falling down into the river below, your partner Harry Flynn whispers to you via radio: "There's a guy below you, there's a guy below you."

A great test for me, in terms of a video game's draw, is my wife, Liz. If the game's storyline and game play is interesting, she'll end up on the couch next to me, watching the whole time. She'll never want to play the game, but if it's captivating enough... she'll sit and watch, just like a movie.

She did this for Brütal Legend. And she got hooked right from the start of Uncharted 2. As someone who's not all that in to video games, her sticking around is a pretty strong endorsement.

Out of all the games I've played and all the trailers I've seen, I'd have to say that Uncharted 2: Among Thieves is probably the one game where the trailer and the game play come pretty close to matching.

I'm used to there being short video interstitials between levels, but this game really overdelivers on this front. There were several points in the game where I (happily) set down the controller and got lost in the characters and the unfolding of the plot. And there were a few times where I suddenly realized that the video portion had ended, and now it was time for me to pick the controller back up.

I have to say it again: this game so far has been pretty amazing. It really feels like a movie.

Add a Comment | February 1, 2010


My friend Dave, aka Spoolwork (MySpace | Facebook), just completed a new mix. Entitled "High Pressure Days," it's full of hip hop, new wave, disco, electro and soul. Not only that, it's available for streaming online, and also as a free download to boot! Go give it a spin...

1. Roof (DJ Ayres Remix) - Wale
2. Slippery People (Cosmic Boogie Edit) - Talking Heads
3. Phone Sex - just.one.duran
4. Turtle Pizza Cadillac (Yam Who Rework) - Parallel Dance Ensemble
5. When I Think Of You - Janet Jackson
6. Sayin' It And Doin' It (Sugarloaf Gangsters Mix) - James Brown
7. Walking on Sunshine (Tim Simenon Mix) - Eddy Grant
8. Wham Rap (SirBilly Boys Of Summer Edit) - Wham!
9. Come into My House - Queen Latifah
10. I'm Your Venus (Fromagedisco Edit) - Bananarama
11. One Life Stand - Hot Chip
12. High Pressure Days (Rory Phillips Remix) - Units
13. Git On Up (Fast Eddie Mix) - Fast Eddie
14. I'll Tell You - Sergio Mendes Brasil '88
15. Optimo (Optimo Remix) - Liquid Liquid
16. Happy House (VHS or BETA Remix) - The Juan Maclean

Related:
Dave Fischoff's New Remix Project: Spoolwork
Dave Fischoff: New Jens Lekman - "I'm Leaving You Because I Don't Love You (Spoolwork Remix)"

Add a Comment | January 31, 2010

Around 3:00 PM, as I was sitting at my computer, I heard a pretty loud *crunch* from outside. The sound was akin to what a tree would sound like, after it's been hit by a car going at around 5 or 10 mph. It was a healthy crunch.

Liz was in our office at the time, and we both peered outside the window (we're up on the 2nd story, and our windows face out to Fairfield). We saw a large U-Haul truck, turning on to Fairfield from the alleyway. The alley itself is technically one-way, going out to California... so this truck was definitely going the wrong way. But it had cut the turn on to Fairfield too sharply, and was crushed up against a car parked by the alleyway.

From our vantage point, it took me a while to figure out what was going on. Based on the sound, I thought that the U-Haul had run in to the light post or an actual tree near by. But as it slowly pulled through the alley onto our street, it became very clear that they had hit the car.

The guy on the passenger side opened the door up, and looked backwards at where the truck had hit the parked car. He closed the door, and the U-Haul basically continued on its way. As it did so, you could hear a lot of crunching and stuff/glass breaking.

As the U-Haul passed by our window, I looked in and noticed a man was driving. I couldn't see his face, but he had on a thick jacket with a "#24" on his left arm. It took me a few seconds, but it dawned on me that he wasn't stopping.

I grabbed my camera and ran in to the sun room, which faces Logan Boulevard. Liz was telling me that she could hear other people (our neighbor Liz in particular) yelling out their windows at the truck. By the time I got to the front room and had my camera out, the truck was too far gone for me to get any kind of useful photo.


Here's the shot I got. If this were a fancy police drama on TV, this is the point where someone would tell me to "zoom in" so that the pixelated plates would become clear. No such luck. I got more tree than truck.

I threw on my coat and grabbed my phone and camera. I figured since I had seen the whole thing, I wanted to convey what info I had to the person whose car got smashed up. By the time I got out the alley/car, there was another car just sort of parked next to it.

As I neared, I saw that there was a woman driver, and a small girl sitting on the passenger side. The window opened up and I found out the woman also saw the whole thing.

I guess she was on Fairfield when the U-Haul came through, saw the hit, and followed the U-Haul long enough to get the license plate and truck numbers. She then made it a point to circle back, and was in the process of writing up a note to leave on the windshield.


Lucky thing, as my photo wouldn't have led to squat.

Thanks to Laverne, we had info that could help track down the U-Haul. I asked for her name and her cell, and took over the note. The owner of the car was still nowhere to be found. I spoke to our neighbor Liz briefly (she was leaning out her window), and our other neighbor Rich came out. His car was the one directly in front of the one that was hit. Though it didn't suffer much damage, he drove over to the nearby U-Haul rental location on Western, to see what info he could find.

I called 311 and reported the hit and run. I gave the plate and truck info that Laverne had written down, and left my name and cell number. I was told to wait on the corner for a police car to arrive, but no specific ETA was given.


While I was waiting, I decided to snap a few photos. Habit, I guess. Lots of debris in the street from the busted out taillight.


Here's a side view of the damage. The bumper is pretty mangled, and looks like it's barely clinging on.


Another view of the bumper.

After I was done documenting, and the call was made in to the Police, I still felt a certain urgency. The owner of the car still hadn't shown up, and as someone who saw the whole thing happen... I felt like it was up to me to make sure some kind of conclusion was reached: I needed to make the report to the police, I needed to get the details in so the U-Haul driver could be found, and I needed to tell the owner of the car what happened.

I was outside for about 30 minutes, until the cop showed up. I could have gone in, but for whatever reason I felt like maybe the cop might just swing by, find no one waiting, and then just leave. So I waited around on the street corner. As people walked by who turned on to Fairfield, I asked if they drove a 4 door, silver Honda Civic... hoping to maybe chance on the owner of the vehicle. No luck.

When the cop arrived, I flagged him down and told him I was the one how phoned in the report. He asked if I was the owner of the car, and when I told him "no" he said that there was nothing more he could do. The owner of the car would have to call Chicago PD and file a report.

This, I have to say, was incredibly frustrating. I had the license number for the truck, as well as the truck ID. I had info on what the driver was wearing. There were at least four witnesses (me, Liz, Laverne and our neighbor Liz) who saw the whole thing. There was a nearby U-Haul location about 3 blocks away. There was, in my mind, action that could still be taken to track the U-Haul driver down.

In hindsight, I guess there needs to be an actual claim or charge filed, before any of those steps can be pursued? I have no idea. I just felt incredibly powerless at that moment, as I thought I had a ton of evidence and information, but no way to actually set things in motion. I saw someone do wrong, and there wasn't any way I could make things right.

The cop left and all I could do was to add my name to Laverne's note. I put down my address and cell, and left it on the car windshield. Throughout the rest of the afternoon, I kept looking over to the car and still saw my note attached. Liz and I went out a bit later in the evening, and I think that when we came home, the note was gone.

So far, I haven't gotten a call about the accident, or heard from the owner of the car. My one hope is that U-Haul has good records, and that the driver will ultimately be tracked down.

Tonight, some 8 hours later, I'm feeling like I have all these tiny pieces to a story. And so far, I haven't been able to get the kind of ending that I want to see happen. The cop didn't want to hear what I had to say, and I haven't been able to talk to the owner of the car.

I'm a good neighbor, and I've done more than my share to help with the situation. Sure, I understand that. But the fact that this thing is hanging out there, hanging in the air, unresolved and without closure... it's just bugging the ever-loving crap out of me.

// Edit: I was wrong about the note being gone. It's 5:13 PM on Sunday (the day after), and the note is still on the windshield.

// Edit: I did end up getting a call from the car owner, later on Sunday evening. She sounded pretty ok, all things considered, and thanked me for the info and for watching out. I told her about this blog post (which was a bit odd, but I'm hoping it's more helpful than awkward). Really hope she's able to track down the drivers, and get them to pay for all the damages.

Add a Comment | January 30, 2010
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